Małgorzata Jastrzębska: Interviews
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Stop the Frame (Part II)
Paintings comfort me in a quiet way. I paint so I do not have to talk. Besides, what is there to say? Each one of them is like a copy of my own skin. I hide behind paintings. I hide in my paintings in my entirety. The only thing is that, to the painting, this does not matter.
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Stop the Frame (Part I)
Concentric circles with multicoloured fragments, overlapping colours, luminosity, spinning impressions and kaleidoscopic volatility – the geometric compositions of Małgorzata Jastrzębska stem from the experience of the great abstractionists of the twentieth century – Robert and Sonia Delaunay, Francis Picabia and Frantisek Kupka.
