Małgorzata Jastrzębska: Interviews
Stop the Frame (Part II)
Paintings comfort me in a quiet way. I paint so I do not have to talk. Besides, what is there to say? Each one of them is like a copy of my own skin. I hide behind paintings. I hide in my paintings in my entirety. The only thing is that, to the painting, this does not matter.
Stop the Frame (Part I)
Concentric circles with multicoloured fragments, overlapping colours, luminosity, spinning impressions and kaleidoscopic volatility – the geometric compositions of Małgorzata Jastrzębska stem from the experience of the great abstractionists of the twentieth century – Robert and Sonia Delaunay, Francis Picabia and Frantisek Kupka.