Jacek Łydżba: Interviews
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Jacek Łydżba
Interview by Małgorzata Czyńska
The Marmaid
Even mermaids die young. Krahelska’s story, connected with the Mermaid monument she posed for, is a symbol of the history of Warsaw. That’s what attracts me to the mermaid - this mixture of strength, determination and deeply hidden fragility and tragedy.
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Jacek Łydżba
Interview by Małgorzata Czyńska
All Saints of Bollywood
I would like to invent a devotional article that the whole world would start buying. Something that would be cheap to manufacture, something conventional and yet noble. Something like a figurine of the Mother of God. A cheap gypsum cast – a simple thing that, at the same time, is capable of conveying such intense emotions.
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Jacek Łydżba
Interview by Sylwia Bielecka
Between the station, the church and the market
Around the monastery, architecture form the awful Gierek times: the repulsive concrete cuboid shops, public toilets, ice cream booths. In the kiosks selling devotional objects – plastic figures of Our Lady lit with little light bulbs, toy guns. Here it is market day 365 days a year.
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Jacek Łydżba
Interview by Katarzyna Świeżak
Big boy
I don’t like mirrors, so, I don’t paint myself. But attempting at representing yourself in paintings is something different – this is, namely, an essence of being a creative artist. However, I am not an angel. I’m certain of that!
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Jacek Łydżba
Interview by Katarzyna Rzehak
I come from Wloszczowa, a small town near Czestochowa
That’s because I come from Wloszczowa, a small town near Czestochowa, where if anything appeared, it really appeared: if a car passed, everyone saw it; a woman going shopping on her bicycle escaped no one’s attention, let alone a horse pulling a cart full of coal.