Galeria Art Logo
Z Blakem w wannie

Katarzyna Karpowicz Z Blakem w wannie Size: 70x100

Blue Glass

In Katarzyna Karpowicz’s works, the painting is always the result of deeply experiencing reality, of observations and feelings. The seemingly unreal scene flows from events, meetings and conversations. Life experiences give rise to new painting series.

Katarzyna Karpowicz : Blue Glass

News

Informations, news, exhibitions

Katarzyna Karpowicz

Blue Glass

December 2018

see exhibition

Just a painting

No content, no narration, no commentary, no reality shown. Without satire or taking things with a pinch of salt. No martyrdom, politics, social fights. Without Sigismund’s Column, Saint Mary’s Basilica, Sukiennice, Gomułka, Gierek,

Sierakowski. Without rhinoceros, giraffes, busty women, and men with crude faces and weary hands. In brief – without theme or motif. Just the vibration of colours, the texture of successive layers of paint – wide dabs, splashes, trickles, thin spider web-like threads capturing the space of the painting. Such a Dwurnik is still a surprise to so many. And yet he has been creating abstract paintings for over a dozen years. What’s more, he claims that his art has always been lined with abstraction, since the very early city landscapes.
The painter says that his goal is ‘for a painting to contain some sort of mystery, charm, or magic, to have an effect and to enable interaction. It is all clearly visible in my abstractions, because these paintings function exclusively in the realm of sensations and feelings. They do not tell stories, they are devoid of narration that would eat and disperse the art of painting. In abstract works the only thing that’s left is the painting itself – das Bild.’
Dwurnik’s large-format abstract compositions need space, because only in a large space can they be truly seen, comprehended and felt.

Katarzyna Karpowicz

Katarzyna Karpowicz

Born in 1985 in Kraków. Graduated from the Academy of Fine Arts in Kraków. Painting diploma supervised by prof. Leszek Misiaka and prof. Grzegorz Bednarski in 2010.